LAS YEGUAS DEL APOCALIPSIS PDF

Durante , irrumpió en Chile la incendiaria propuesta de las Yeguas del Apocalipsis, conformada por los artistas Pedro Lemebel y. Tarsila do Amaral, Las Yeguas del Apocalipsis. Tarsila do Amaral’s iconic work ” Abaporu” precedes the thematic cluster “Indigenous America, Black America”. Feb 1, Las Yeguas del Apocalipsis (Pedro Lemebel [Santiago de Chile, Chile, ]; Francisco Casas [Santiago de Chile, Chile, ]) – Las dos.

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Cheers to Pedro Lemebel, to Las Yeguas del Apocalipsis and to all of the fabulous queers who resist, who breathe fire ddl joy into the world and who do it with a flamboyant courage across time and space. The legacy of Las Yeguas can serve as a reminder that our duty is not only to survive in the face of repression but also to thrive, to unleash our political imaginations and to move us forward into what is possible when we come into la lucha as our whole selves; challenging oppression while also showing to the world and to each other that we as queer latinx folks apicalipsis hold tremendous beauty, joy, creativity and resilience in our bodies, hearts, and souls.

Las Dos-Fridas-Yeguas-Del-Apocalipsis-Slash-Francisco-Casas-Y-Pedro-Lemebel at PINTA NY

I used to think about what my development as a apoxalipsis queer kid would have been like; how my political education and values would have been shaped. Francisco Casas leftPedro Lemebel right. InLemebel published his first and only full novel Tengo Miedo Torero —a love story between an older drag queen and a young leftist revolutionary who is plotting the assassination of dictator Pinochet.

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Queens of the Corner: Growing up in the U. The video is amazing and allows you to hear from Pedro Lemebel directly but it is also in Spanish and has no English subtitles. It tells a story of political and sexual desire, of poverty, of revolutionary spirit and most certainly of romance and love—all during a Chile still ruled yyeguas dictatorship.

You have to be acid to withstand it.

Artists at PINTA NY

Follow him at SalemAcu I first learned about Chilean artist and activist Pedro Lemebel while watching an interview with Chilean queer musician Alex Anwandter about his latest album, Amiga. Kas this Chilean queer history has been a grounding and healing experience for me. Bits of glass from broken Coca-Cola bottles were scattered on the floor, and as they danced the map became stained with blood.

In his work, Lemebel often used humor and sarcasm to uplift the experiences of working class people living in the capital city of Santiago.

La Conquista de America represented and connected both the long history of colonization throughout the Americas as well as the more recent history of neoliberalism and dictatorships. Pedro Lemebel y Las Yeguas del Apocalipsis.

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Queens of the Corner: Pedro Lemebel y Las Yeguas del Apocalipsis

After watching the interview, I began to research Pedro Lemebel obsessively and thus began my journey into discovering the magic that was the late, great artist. He particularly elevated the stories and realities of queer and trans folks who lived in poverty, marginalized not only by mainstream society but also at times by leftist geguas and leaders active in the city.

A legacy that is perhaps most apocalipiss in the work of an art collective that Lemebel helped form and performed with for 10 years of his life. They performed this act at the Chilean Commission on Human Rights in October of just as Chile was preparing to transition out of the 17 year dictatorship of Pinochet.

Undoubtedly, Lemebel was a badass, intersectional guerrerx who fought not only for poor, working-class queer and trans people but also for political prisoners, for indigenous Mapuche communities, for women, and for all the people and families terrorized under the Pinochet regime.