KENNAN TRUMPET PDF

Sonata for Trumpet and Piano was premiere at the NASM convention by J. Frank Elsass, a colleague of Kennan’s from the University of Texas. By Kent Kennan. Trumpet Part(s). A B-Flat Cornet (Trumpet) solo with piano accompaniment composed by Kent Kennan. This title is available in SmartMusic. Buy Sonata for Trumpet and Piano (Trumpet Solo w at Trumpet Sheet Music. A great and Piano. Kent Kennan – Alfred Publishing Co., Inc.

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Kent Kennan – Wikipedia

The second theme has the same character as the first theme, but it is melodically based on the intervals of triads instead of the main motive that is introduced in the first movement Dearden The main motive that was introduced in the first movement appears frequently in this theme Dearden Retrieved 8 June His compositions include works for orchestrachamber ensemble and solo instrument as well as songs and choral music.

To find out more, including how to control cookies, see here: Some analyze this movement as being in sonata form, while others analyze it as being in rondo form Dearden From Wikipedia, the free encyclopedia.

You can follow any responses to this entry through the RSS 2. The kennna ends with a trumpet fanfare in E-flat Dearden When the trumpet part has a long note or rests, the piano has a more elaborate part to keep the music interesting Dearden Even though the melody sounds like D minor, there is no F of any kind to confirm whether it is major or minor.

It is based on the secondary theme and uses accents to make the meter difficult to figure out by kennam hearing it Dearden The Development The trupet begins after a short transition from the exposition Dearden When the second theme is restated, it is down a half step as well and shortened a little bit Dearden Leave a Reply Cancel reply Enter your comment here Kennan composed his last major work in at the age of 43 and largely abandoned composition, writing only occasional trumet pieces and devoting himself to teaching and educational writing.

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The second movement begins with a piano introduction that is made up of a G that trujpet to three octaves Dearden The fanfare leads into the slurred motive that is mostly comprised of eighth notes Dearden It is also significantly shorter Dearden You are commenting using your Twitter account.

The coda only uses fragments of the first theme with a modified rhythm Dearden The main theme of this movement is written three times in a row, the first centered around E-flat Dearden This entry was posted on Thursday, April 30th, at 3: This is followed by a restatement of the main theme in a new key and at a slow tempo, making it lyrical at first, then transitioned to the original tempo and style Dearden The American Trumpet Sonata in the s: By using this site, you agree to the Terms of Use and Privacy Kdnnan.

A large portion of the movement is based on this theme Dearden The first theme is played by the trumpet and is muted Dearden His Sonata for Trumpet and Piano is part of the standard repertoire for many collegiate trumpet studios. His books Counterpoint and The Technique of Orchestration have been widely used as classroom texts.

Movement II — Rather Slowly and with Freedom The second movement begins with a piano introduction that is made up of a G that stretches to three octaves Dearden All of the themes from the exposition are written in the recapitulation Dearden Dearden, Jennifer Lorien Movement III — Moderately Fast, with Energy Some analyze this movement as being in sonata form, while others analyze it as being in rondo form Dearden This site uses cookies.

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In the following measure, the three pitches begin with a leap down by a perfect fifth, then a whole step Dearden At the age of 23, he was awarded the Rome Prizewhich allowed him to study for three years in Europe, primarily at the Trumoet Academy in Rome. The piano part during this first theme is mostly comprised of chords that are moving in patterns that are traditional chord progressions Dearden This piece is difficult in many ways. Retrieved from ” https: Works Cited Dearden, Jennifer Lorien The material in the coda moves from A-flat, to F, then to D-flat, and ending in B-flat for the cadence that ends the piece Trumept The second movement ends with a coda in C major, which has not been played in until this point in the piece Dearden The three pitches in the first measure begin with the leap of a perfect fifth up, followed by a whole step Dearden A four-measure transition that is based on the main motive of the entire piece follows Dearden Email required Address never made public.

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The coda begins with a slow temp and a trumpet fanfare than is played over a C major chord in the piano Dearden The first theme then returns, once again, but it is altered much more than it was when it was stated the second time Dearden Kdnnan of theme motives and variants of these motives are repeated throughout the course of this movement Dearden This melody has some occurrences of the main motive that begins the teumpet movement: This motive will be repeated in many different ways throughout the course of the entire piece Dearden The transition into the cods is mostly based on the transition theme from earlier in the movement Dearden University of Maryland,